“Brava! ”(Gramophone)

” Fiery Virtuoso “(The Strad)

” huge violinist “(Scherzo)

” Superbement joué, flamboyant Lina “(Diapason)

” True Devil Violinist “(Bayerische Rundfunk)

“ The small wonder, Lina Tur Bonet shines ”(SD Union Tribune)

“An extra class violinist” (BR Radio)

“the violinist of the soul” (Sankei Shinbun)

“honest and heartfelt music-making, her releases are becoming things to look forward to” GRAMOPHONE

Regarded as “one of the most exciting violinists of her generation”, the versatile violinist Lina Tur Bonet has worked together with a large number of the most remarkable performers of either Baroque, Romantic or Contemporary music since her youth.

The convergence of the most significant musical influences that can be traced in her works, from the pioneers of the Historicist approach to Early Music, to the most eminent conductors and musicians of all repertoires, allows her acknowledgment as a depositary of the greatest European tradition in music.
Her uncommonly large repertoire covers up to 400 years of music, always using the proper instruments of every period.

She has a keen taste for chamber music, Johann Sebastian Bach, the repertoire written for unaccompanied violin, the conducting of chamber orchestras and the research on rhetorical and symbolic aspects of music.
She is also deeply interested in embodying music into interdisciplinary projects, along with other forms of art expression.

Lina Tur Bonet has performed the complete cycle of Biber’s sixteen “Mystery Sonatas” in a single day, in Vienna. Her violin has been present in a hundred of Bach’s Cantatas and Passions. She has played Messiaen’s Quartet for the End of Times, Lutoslawsky and Morton Feldman at Fundación Tapies, Barcelona, ​​has been concertmaster on Saint Mathew’s Passion at the Amsterdam Concertgebouw with Concerto Köln, and played as leader with multiple orchestras in Europe, being also soloist of concerts for violin and orchestra with works of Vivaldi, Bach, Mozart, Beethoven, Brahms, Ravel, Chausson, Mendelssohn or Piazzolla. She has recently premiered “Melancholia”, a piece for solo violin specifically composed for her by the composer José María Sánchez Verdú. She also played Bach´s complete works for solo violin at the Montreal Baroque Festival.

All this makes her stand as a reference in the classical music scene, having had her summoned for collaborations by some of the most prominent European ensembles in the world.