World-Class Music Production for All Media Projects

Whether the budget supports a full symphony orchestra, a handful of players with samples and electronics, or samples only; I can help you realize your music’s full potential.

2019 MPSE Golden Reel Award winner “Outstanding Achievement in Sound Editing – Special Venue” for Google Spotlight Stories: Age of Sail.

“It became clear to me in post that Mark puts the film and story first. When we came to a fork in the road creatively, Mark would look to the film / story / character for an answer. Drawing inspiration from the bigger picture of the project is what makes his work so great.”

— Zach Johnston & Matteo Roberts (Composers)

WHAT I DO
I produce, record, edit, and mix music.  Much like a performer my craft requires a lifetime of never-ending practice and improvement, as well as the need for the technique to become second nature so that I can focus on the music.  My goal is always to be able to step back and be absorbed by recordings on an emotional level – to not be conscious of the speakers, the processing, the mixing, the microphones.
Some highlights are:

FILM & MEDIA

Supervising Music Editor for Sir Peter Jackson’s Hobbit Trilogy & The Lord of the Rings: The Return of the King (composer: Howard Shore)

Music Producer & Scoring Mixer for Webzen’s Soul of the Ultimate Nation MMORPG (composer: Howard Shore)

Scoring Engineer & Mixer for Korean feature 2009: Lost Memories – recorded in Moscow & mixed in Seoul (composer: Dong-Jun Lee)

Music Editor for Darkest Hour, Paddington 2, Bumblebee (composer: Dario Marianelli)

Music Editor for Downton Abbey: The Movie (composer: John Lunn)

Scoring Mixer for The Aviator OST (composer: Howard Shore)

Music Editor & Scoring Mixer for Tonko House’s animated short Moom (composers: Zach Johnston & Matteo Roberts)

CLASSICAL

Balance Engineer, Digital Editing, & Mastering for the Cypress String Quartet’s Beethoven: The Complete Quartets (Avie Records)

Producer, Digital Editing, Mixing, & Mastering for Elena Ruehr’s Averno (Avie Records)

Mixing & Digital Editing for John Adam’s The Dharma at Big Sur (Nonesuch)

Balance Engineer, Mixing, Digital Editing, & Mastering for The St. Lawrence String Quartet & Christos Hatzis The Awakening (EMI)

Balance Engineer for the Tin Alley String Quartet’s Haydn Opus 20 Quartets (Move Records)

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